
About Suck It Up
Ronnie lost her brother. Faye lost her first love. These two best friends set off on a debaucherous road trip to the mountains to get over the death of the man they both loved.
Grief is rarely a linear journey, and Jordan Canning captures this messy, unpredictable reality with sharp wit in the 2017 feature Suck It Up. Rather than leaning into the somber tropes often associated with loss, the film navigates the complicated intersection of friendship and mourning through the lens of a chaotic excursion. By centering the narrative on two women bound by their shared history with a man who is no longer there, the movie avoids the typical melodrama of bereavement. Instead, it offers a raw look at how people attempt to manufacture closure while grappling with the lingering echoes of someone they have lost. The chemistry between the leads is the anchor here, transforming a premise rooted in sorrow into a vibrant exploration of codependency and the desperate need for distraction.
For audiences familiar with the evolving landscape of global cinema, particularly the shifting tones in the Indian film industries where themes of friendship and travel are frequently used to explore emotional growth, this film serves as a compelling Western counterpoint. While Telugu or Tamil cinema might often frame such journeys through grand musical sequences and high-stakes social conflict, Suck It Up opts for a smaller, more intimate scale that feels intensely personal. It fits well within the contemporary trend of character-driven dramedies that prioritize authentic dialogue over polished plot beats. It is a refreshing departure from the hyper-stylized storytelling seen in big-budget productions, appealing instead to viewers who value nuanced portrayals of human fallibility.
Those who enjoy films that balance cynical humor with genuine heart will find this road trip particularly resonant. It is designed for the viewer who prefers stories that do not demand an easy moral lesson but instead allow characters to be flawed, defensive, and occasionally unlikable as they process their pain. Jordan Canning demonstrates a clear command over the pacing, ensuring that the levity never entirely masks the underlying ache of the characters. By keeping the focus tight on the two leads as they navigate the solitude of the mountains, the film highlights how the process of moving on is often less about finding answers and more about simply enduring the presence of a companion. It is a quiet, effective study of how two people can hold each other up even when they are both on the verge of falling apart, making it a meaningful watch for anyone interested in the complexities of modern intimacy.

























