Massimo Giustini
Massimo Giustini worked as a makeup artist across several international productions, contributing to the visual presentation of films in the 1960s and 1970s. In 1964, Giustini served as makeup artist on Hercules and the Tyrants of Babylon, a film set in an ancient historical context where period-appropriate cosmetic work would have been essential to the production’s authenticity.
Biography
Massimo Giustini worked as a makeup artist across several international productions, contributing to the visual presentation of films in the 1960s and 1970s. In 1964, Giustini served as makeup artist on Hercules and the Tyrants of Babylon, a film set in an ancient historical context where period-appropriate cosmetic work would have been essential to the production’s authenticity. The role required transforming actors to align with the film’s epic and mythological tone, a task central to the makeup department’s function in period and fantasy cinema.
Giustini continued in the makeup field with Eye in the Labyrinth in 1972, a film that likely demanded nuanced cosmetic design to support its atmospheric and possibly horror-inflected narrative. The makeup artist’s work would have involved creat…
